Warum erhalten Nintendo-Spiele keine Gritty-TV-Shows?? Hier sind einige Stellplätze
Im Zeitschriftengeschäft, Auf der Rückseite finden Sie all die seltsamen Fehler, die wir sonst nirgendwo unterbringen konnten. Manche mögen es nennen “Füllstoff”; wir bevorzugen “eine ganze Seite, um schreckliche Witze zu machen, die tangential mit dem Inhalt des Magazins zusammenhängen”.
Das haben wir nicht (Papier-) Seiten im Internet, aber wir lieben immer noch schreckliche Witze – also willkommen zu unserem halbjährlichen Feature, Rückseite. Heute, Kate wonders where our gritty Netflix series have gotten to…
There’s something weird happening in Hollywood. Whenever a video game gets made into a TV show or a movie, it’s almost always a gritty, depressing, desaturated action-adventure romp where everyone’s got five days of stubble and a voice made of gravel. Es sei denn, natürlich, you’re Nintendo, because Nintendo properties get turned into kids’ movies and cartoons.
Why doesn’t Nintendo get gritty reboots, huh? Vertrauen Sie mir, there’s plenty of fodder in the Nintendo stable for some grim Hollywood blockbusters… and I’m gonna pitch them!
Kirby und das vergessene Land
Kirby’s cutesy post-apocalyptic adventure would make for a perfekt gritty TV show. It’s basically Der Letzte von uns Little Orpheus ist ein von Flash Gordon inspiriertes Side-Scrolling-Abenteuer, but with cute dogs instead of horrible zombies.
But we can change that! Just change the cute Awoofies to slobbering, realistic wolves, cast Robert Pattinson as a grizzled Kirby who’s five days from retirement or whatever, and have Waddle Dee played by, I don’t know, Rahul Kohli, as an inexperienced but spunky sidekick who’s constantly trying to impress Kirby. I would 100% watch this.
Auch, Kirby has an eye patch.
The Legend of Zelda: Atem der Wildnis
Much like every other game on this list, BOTW has plenty of gritty substance to build a show around — you just have to turn the brightness and the saturation down, and you’ve basically done half the work.
The show, natürlich, would start with Link waking up in the Shrine of Resurrection, but rather than a jolly and exciting trot down the hill to meet a nice old man, I think we’d instead have Link stumbling out of the cave into something more like a blasted landscape. Villages would largely be destroyed, the few survivors scattered throughout Hyrule, and no one would be trustworthy any more because they’re all either out to get something, or they’re secretly Yiga Clan assassins.
I love Breath of the Wild, but I also know that in order to get HBO’s attention, I’d have to liberally apply a varnish of grimness to the whole thing, and I think that would actually be quite fun. Picture Link rocking up at the Temple of Time, greeted by a fading spectre of the King of Hyrule, only to have him lead Link to a pile of bones in the corner — the last remains of Rhoam. Or defeating Ganon, saving Zelda, and discovering that she used the very last of her power and life to bring you there and save Hyrule, fulfilling both your destinies… und, natürlich, it turns out that Link’s life was tied to hers, zu, and they both perish on the floor of Hyrule Castle, satisfied that their journeys came to an end, zusammen.
I mean, aufleuchten. I know he’s a magic boy, but he LITERALLY dies in the game and then spends 100 years napping. He should totally die at the end.
splatoon
Okay, so for this gritty TV reboot of the Splatoon series, here’s what I’m thinking: It’s a futuristic, neon-tinged Western — Bladerunner trifft The Walking Dead trifft Die gute, Das Schlechte, und Das Hässliche. Maybe a bit of Kill Bill thrown in there, just for fun. Und The A-Team. It’s a lot of things.
In the Splatoon TV show, I’m picturing an ensemble cast — a team of crack-shot Inklings, training to become the protectors of Earth. There’s a mad scientist who invents ink weapons — the Salmonids’ one weakness! — and the show follows this rag-tag group of survivors as they strike out into the world, hoping to find somewhere to call home once more.
Luigis Herrenhaus
Luigi, in this movie, is a retired plumber who spends his day at dimly-lit bars, drowning his sorrows with endless refills of Mushroom Vodka. After Mario’s disappearance following a strange lottery win, the world assumes that the shorter Mario Bro is long dead — killed for the money, no doubt — until one day, Luigi gets a missive from a former mentor of his, Professor Elvin Gadd, a scientist whose research was discredited after a series of failed experiments.
Prof.. Gadd summons Luigi to the decrepit mansion that Mario had bought with his lottery winnings, and informs Luigi that Mario has been trapped here by ghosts. OBVIOUSLY Luigi thinks Gadd is mad (which he is), until a ghost murders the Professor right in front of him. Luckily, anticipating this outcome, the Professor left behind a note for Luigi, informing him how to use his patent-pending invention, the Poltergust 3,000…
DOESN’T THAT SOUND RAD?
Phoenix Wright: Ace Attorney
Ace Attorney is grittier than people realise. Sure, it’s about murder, but dig a little deeper and you’ll discover conspiracies, cover-ups, and corruption behind the legal system itself.
It wouldn’t be too far of a step to take the games from the small screen to the slightly bigger screen — just dress Phoenix up in a slightly-darker-blue suit, have his mentor killed early in episode one, and watch him rise from the ashes. Bonus points if you write in his relationship with Edgeworth as a canonical one that has him feeling torn between the law and love!
Mario-Party
In this mash-up of family fun and the Saw franchise, a group of Super Mario characters are trapped in a life-size board game and forced to play for the highest stakes of all: Their own lives. Backstabbing, star-stealing, and loaded dice are just some of the obstacles to overcome, and that’s before you even get to the minigames.
But just who is behind this megalomaniacal game? It can’t be Bowser again… richtig?
Give me your gritty Nintendo TV show pitches in the comments. Maybe together, we can get the attention of HBO!