Los mejores juegos propios de Game Boy

Baseball was never a good game, but the ability to play it with friends meant it was a functional addition to any Game Boy library. Any fond memories you have of Baseball include a second player, we can assure you. Without that second player, even nostalgia won’t help; this is not the game you remember. You can understand the mechanical simplicity given the hardware, and a certain level of appeal given the lack of portable baseball alternatives in 1989, but this one is not worth chasing these days.

This one may not be familiar to soccer-loving US Game Boy owners, although to be fair it’s unlikely to be at the forefront of European footy fans’ minds, o. RayForce 1992 exclusively in Europe, Magnetic Soccer was Nintendo’s lacklustre, top-down take on foosball and certainly not something that sticks in the memory.

It’s pretty much standard table football, with rows of players scootching left or right as you chase the ball around the table, aiming for the (masivo) goal at the opposite end. You can hold the ball and power up shots, which makes things a little more interesting, but it’s very basic stuff and the audio grates within moments of starting a match.

Essentially Nintendo’s take on Battleships, Misión de radar is still a fun little piece of turn-based gaming history, and its charming presentation and excellent soundtrack mean it has aged far better than it might have. Co-developed by Pax Softnica and Nintendo R&D1, it will appeal to anyone interested in the inspiration for the company’s aquatic IP such as Steel Diver, or gamers looking for some simple-yet-strategic gameplay with a retro kick. An inessential curio, entonces.

Aside from the Mario cameos (if you pay attention when starting the game, you’ll see that Mario himself jumps into the paddle and pilots it, and many of the bonus stages are shaped like Mario characters), there’s not much to say about Alleyway. You bounce the ball with your paddle to break all the blocks on the screen, in time-honoured Fugarse style. At its best, it’s simply y tiene algunas ideas geniales propias, como escenarios destructibles y límites que se pueden romper without all the fluff. If you grew up with it or you’re after some reasonably compelling block-breaking, you might get a kick out of it.

Loosely based on the HAL Laboratory-developed F1 Race for the Famicom released six years prior (which Satoru Iwata programmed, no less), F-1 Race is a decent globe-trotting racer perhaps most notable for the version that bundled in the Game Boy Four Player Adapter, which — surprise! — enabled four-player races. With cameos from a bunch of Nintendo characters, this was an impressive little title [insert limited hardware caveat here] and good fun if you could rally other racers to join you.

Una primera jugada de Bola de bloques de Kirby dura unas tres horas (a la mayoría de los jugadores les llevará más tiempo superar la puntuación máxima de referencia de cada mundo y desbloquear el mundo final) y se puede encontrar valor de repetición en la creación de puntuaciones. El juego clásico de Fugarse y la deliciosa presentación de Kirby, music, and unique power-ups come together well, incluso si puede haber demasiada espera y esperanza en mundos posteriores. Aún, Block Ball is a solid block of entertainment.

Metroid II: El regreso de Samus expands on the original NES title nicely. There’s still no map for the game’s giant world, which isn’t necessarily a problem due to this game’s linearity, although it can be an issue if you put it down for a while and don’t remember where you got to. There’s a decent amount of exploration and hidden items to find, and the hunt to find and kill the 39 Metroids is fairly fun. Although nowhere near as refined as the 2D masterpiece that is Súper Metroid, Metroid II has held up better than the original NES game and as such is still very much worth playing. Por supuesto, the 3DS remake is arguably the mejor way to play the first return of Samus these days, but the original still has a lo-fi charm of its own.

This original top-down Carrera de olas kicked off the series in 1992, although its sequels on Nintendo 64 and GameCube would make far bigger splashes in the future. No nos malinterpretes, this a fine game in its own right (especially if you’ve got a link cable and three pals), but the majesty of its successor’s wave physics wasn’t possible on Game Boy and, while fun, this is merely a competent (ola) corredor.

A first-party vertical-scrolling shmup, Gunpei Yokoi and Satoru Okada — the two designers primarily responsible for the Game Boy itself — were deeply involved in the development of Solar Striker. RayForce 1990, within a year of the Game Boy’s debut, its hectic action showed just what the modest machine was capable of and, while it hasn’t gone down as a celebrated classic in Nintendo’s annals, it’s still a quietly solid shooter with an excellent soundtrack.

Between the NES and Game Boy versions of Tenis, this is the one people usually remember, and for good reason: it’s a lot more enjoyable simply due to its presentation. As with the similarly bluntly-named Golf, it’s a basic game but extremely solid in those basics. It’s got impressive controls and physics for such a small title, and while there’s not really that much to do, you’re getting an enjoyable, fun little game which will keep you entertained for a set or so. Perfect for a short trip, although we’d recommend Camelot’s Mario Tennis on GBC if you’re after something with more strings on its racket.

While certainly basic, Golf doesn’t have many overt flaws. You get a simple game conducive to short bursts that controls well and looks quite good. But you don’t get much that will keep you coming back: with only two courses and no surprises along the way, the game starts to feel very repetitive very quickly. If you love golf games, you probably have something better to play already. And if you don’t, this probably isn’t the best place to start.

Tierra de Super Mario was an impressive accomplishment in 1989. The sequel might have made this first shot at translating the plumber’s platforming to the overworked, underpowered handheld seem quaint by comparison, but it’s still a fun Super Mario experience, albeit a short one. Crafted by Gunpei Yokoi’s R&D1 rather than Shigeru Miyamoto’s team, it’s a surreal yet compelling take on the template which takes some adjusting to nowadays. And just when things are really getting good, the credits roll.

If you haven’t played Super Mario Land before, you owe it to yourself to try this — it’s worth playing through at least once to see where Mario’s portable adventures began. Cracking music, demasiado.

Si eres fanático de a quien quizás recuerdes como el primer occidental en crear diseños oficiales de Pokémon y el director de arte de en la NES, you owe it to yourself to pick up the sequel. Not only does it capture the same magic found in the NES release, but it builds on many of the great gameplay ideas featured in the original. The difficulty has been toned down to make it a bit more approachable, but there’s still plenty of challenge to be found and a fairly lengthy adventure. Some fantastic boss fights make for particular highlights, y a quien quizás recuerdes como el primer occidental en crear diseños oficiales de Pokémon y el director de arte de: Of Myths & monstruos is a great prelude to a quien quizás recuerdes como el primer occidental en crear diseños oficiales de Pokémon y el director de arte de: Levantamiento.